New music is a feature of the PNMVF and we are currently developing the information below with bios of the composers and a brief synopsis about their piece. Stay tuned for more information as it comes to hand.

Recent compositions
include “Song of The Virtues” for the Song Company (poetry by Chris Mansell),
“28” for the NOISE, “Echo” for choreographer Amy Mauvan, “Morphic” for
choreographer Sarah-Vyne Vassallo and DirtyFeet, “Seven Stations” for Halcyon
and Chronology Arts. He has also worked with the Goldner Quartet and Alicia
Crossley. Has been released on labels Vexations840, Hospital Hill and the New
Music Network and has been released by Alicia Crossley independently. His music
has been broadcast on ABC Classic FM, FineMusic FM, Eastside Radio, Fbi Radio,
and stations in New Zealand and France. In 2014 he plans to complete his
candidature for a Masters in Music (composition) at the Sydney Conservatorium
of Music under supervision of Matthew Hindson.
The piece performed by
the Pemulwuy treble boys choir is in collaboration with Michelle Leonard and
Moorambilla Festival
Will BrownHis pieces
are popular choices for ensembles and conductors who enjoy new Australian
works. They have been performed as far afield as Yorkminster and Southwark Cathedrals
in the United Kingdom and at large choral events such as Boyz Bizz, Queensland
and choral festivals in Mackay and Rockhampton.
Will also
has a strong passion for music education and works full-time teaching classroom
music and piano. He conducts a number of choirs from treble boys and changing
voice men right through to adult community choirs. He sings regularly in
Resonance of Birralee and Queensland Kodaly Choir and is honoured to be have
been commissioned for the Pemulwuy National Male Voice Festival.
Words by John O'Brien
Through the hush
of my heart in the spell of its dreaming
Comes the song of
a bush boy glad-hearted and free;
Oh, the gullies
are green where the sunlight is streaming,
And the voice of
that youngster is calling to me.
It is calling to me with a haunting insistence,
And my feet
wander off on a hoof-beaten track,
Till I hear the
old magpies away in the distance
With a song of
the morning that's calling me back.
It is calling me back, for the dew's on the clover
And the colours
are mellow on mountain and tree;
Oh, the gold has
gone gray in the heart of the rover
And the bush in the
sunshine is calling to me.
It is calling to me, though the breezes are telling
Gay troubadour
tales to the stars as they roam;
For the tapers
are lit in the humble old dwelling
And the love that
it sheltered is calling me home.
It is calling me home - but the white road lies gleaming
And afar from it
all must I tarry and. dree;
Just an echo far off,
in the hush of my dreaming

Annie
Kwok was awarded her Bachelor of Music (Piano Performance) from the Adelaide
University Elder Conservatorium, and her Graduate Bachelor of Education in
Secondary Arts from the University of South Australia. Annie has been on staff
with the South Australian Public Primary School’s Music Festival [2000-2004],
Young Adelaide Voices [1999-2012], and Brighton Secondary Special Interest
Music School [2004-2013]. At the beginning of this year, she accepted a
teaching position at the Sydney Conservatorium High School. Her passion for
choral excellence and the positive holistic development of her students
inspired her to embark on a Master of Education in 2013. Her focus will be
"The Power of Positive Interaction in the Teenage Choral Experience.”
Annie
is truly excited by children’s and youth choirs, always inspired by their
spirit, possibility and sound. She won the Open Composition section of the 2005
Young Composer’s Award and was the inaugural winner of the 2006 Gondwana Voices
Composition Award. Her works have been performed in Adelaide, Toowoomba,
Sydney, Melbourne + Brisbane as part of choral festivals such as the South
Australian Public School’ Music Festival, ANCA Sing-Out, Choralfest and
Pemulwuy, as well as being actively sought out for primary and secondary school
music programs. She was the 2011-12 Composer-in-Residence for Young Adelaide
Voices, composing works for the 6 choirs under the whimsical title of
"Heart, Connection + Identity." Annie is delighted to be the
Composer-in-Residence for the Sydney Children’s Choir in 2014.
The
lyrics of this piece read like a love song; as meant for someone special.
However, the original intent was for the words to be as an acknowledgement or
personal “prayer” to each of the choristers to remind them of how essential,
individual + valued they are. I was thinking about the fragility and beauty of
the changing voice in parallel with the development of identity during the
teenage years, and how surprising, challenging, and ultimately extraordinary a
journey it can be. These words are to remind us, and the choristers, of how
unique they are.
“No two snowflakes are alike in formation, each made
individual and unique. And while the universe may draw them on the same
journey, each takes a different path. Perfectly imperfect, exquisite and
beautiful.” [Unknown
author]

Sherelle Eyles was awarded her Bachelor of Music with
First-Class Honours from the University of Sydney having studied performance
with Neta Maughan and Pamela Page, and Australian music studies with composers
Peter Sculthorpe, Ross Edwards and Anne Boyd. She won a scholarship to the
Royal College of Music London where she passed her Master of Music degree and
Postgraduate Performance Diploma with distinction. In London, she studied piano
performance and piano accompaniment with many internationally recognized
performers including Irina Zaritskaya, Geoffrey Parsons and Robert Tear (Royal
Opera House London) and was selected from international auditions to
attend the Britten-Pears School for Advanced Musical Studies, studying
Wolf Lieder with repetiteur Martin Isepp (Metropolitan Opera, New
York). She has performed as part of the Park Lane Group Young Artists’ Recitals
at Royal Festival Hall London where she gave the London premiere of
Sculthorpe’s Simori, was a finalist in the Royal Overseas League Competition
London, as well as being guest artist with the Swedish Helios
Quartet performing Timothy Salter’s Piano Quintet at the Fast
Forward Contemporary Music Festival London. - See more at: http://www.sherelleeyles.com/about-us/#sthash.EjSbuG6p.dpuf
Sherelle has lectured at the University of Queensland in
music history and compositional techniques, and at national
conferences, and has adjudicated eisteddfods and prizes. She has
given numerous Pre-Concert Talks for The Queensland Symphony Orchestra and
Queensland Philharmonic Orchestra and has reviewed classical concerts for The
Courier Mail. Sherelle composes children’s choral pieces that have been
performed by children’s choirs across Australia, several of which are published
in Mark O’Leary’s Young Voices of Melbourne Choral Series. Her choral songs
have been sung at Out of the Box Festival, Brisbane 2012; The State Choral
Festival of Victoria, 2011; The Next Generation Sings Festival, Gold Coast
2012; and Young Voices Choral Festival; and have won first prize in the Under
12s Championships at the National Choral Eisteddfod, Canberra 2012. Further
performances include Junior Gondwana (Sydney Children’s Choir) at the Summer
Music Camps, January 2013; and chosen set choral piece of the National Choral
Eisteddfod, Canberra, 2013 and the Western Australia Massed Choirs Festival
2014; and she has been commissioned by Brisbane Grammar School for the Pemulwuy
Male Voice Festival 2014.

Daniel Brinsmead (b. 1988) is a graduate of the School of Music at the Australian National University where he received a Bachelor of Music with Honours for performance studies in Classical Voice. His choral compositions and arrangements have been performed by school, university, community and professional choirs in the United States, United Kingdom and Australia. He was selected as 1 of 8 winners from 918 worldwide entries to record his composition Come Sleep for the Abbey Road Anthem Competition in 2011 to celebrate the studio’s 80th anniversary. This recording was conducted and performed by Eric Whitacre and his singers. Since then he has been featured as the composer-in-residence at Border Music Camp and has been invited to conduct his music across Australia.
Daniel is the choir master of several choirs in Canberra, Australia, a singing and piano tutor, baritone soloist, accompanist, composer, arranger and orchestrator.